SHOT
|
CAMERA ANGLE
|
ACTION
|
1
|
Establishing Shot
|
Spencer’s car driving by Joseph’s house.
|
2
|
Medium Close Up/Deep Shot
|
Window of the car goes down and Spencer waves to Joseph who is
standing outside his house.
|
3
|
Long Shot
|
Joseph is leaning on the door, and he waves back to Spencer and Lily
in the car.
|
4
|
Big Close Up
|
We see Joseph’s sinister expressions as he watches the car drive off.
|
5
|
Wide Shot
|
Spencer’s car driving round the bend.
|
6
|
Long Shot
|
Joseph going back into his house and the door slamming behind him.
|
7
|
Wide Shot
|
Spencer parking into the driveway of his house.
|
8
|
Wide Shot
|
Lily running to the boot of the car, with Spencer also going to the
boot of the car.
|
9
|
Medium Two Shot
|
Getting the bags out of the boot of the car.
|
10
|
Close Up
|
Shutting of the boot of the car.
|
11
|
-
|
Shot cuts into blackout. Institution logo dissolves in.
|
12
|
Establishing Shot
|
Shot of outside the window inside the house showing the day time.
|
13
|
Establishing Shot
|
Shot of outside the window showing time change as it is now dark.
|
14
|
High Angle Shot/Wide Shot
|
Spencer setting dinner table out for tea time.
|
15
|
Medium Shot
|
Spencer taking out his phone after the ring tone.
|
16
|
Over The Shoulder/Close Up Shot
|
Shot of the text message he receives from Joseph.
|
17
|
Long Shot/Wide Shot
|
Spencer rummaging through the bags as he looks for the item Joseph
has asked for.
|
18
|
Close Up
|
Item in Spencer’s hand.
|
19
|
Medium Shot/Deep Shot
|
Spencer calling Lily over where we can see her in the foreground of
the shot.
|
20
|
Medium Two Shot
|
Spencer asking Lily to take the item round Joseph’s house.
|
21
|
Medium Long Shot
|
Lily putting her outdoor clothing next to the front door and grabs
her teddy bear.
|
22
|
Long Shot
|
Door slams shot behind Lily.
|
23
|
-
|
Cut to blackout and Summit Entertainment logo appears on the screen.
|
24
|
Wide Shot
|
Lily walks down the drive way to show the emptiness and darkness of
the surroundings.
|
25
|
Long Shot
|
Lily walking along the path of the empty road approaching the bend.
|
26
|
Wide Shot
|
Lily walking around the bend towards Josephs house.
|
27
|
Long Shot
|
We see a van pulling up behind Lily in the foreground.
|
28
|
Close Up
|
Lily’s face looking around in the dark to show her vulnerable
position.
|
29
|
Over The Shoulder Shot
|
We see him walking towards Lily and can see the back of Lily in the
shot.
|
30
|
Big Close Up
|
Lily’s facial expression as she is walking to Josephs.
|
31
|
Big Close Up
|
Hand covering Lily’s mouth. We see the hand has a leather glove on.
|
32
|
Big Close Up
|
Lily’s face being dragged out of the shot.
|
33
|
Wide Shot
|
Mystery man dragging Lily towards the van.
|
34
|
Wide Shot
|
We see the mystery man putting Lily inside the van.
|
35
|
Medium Shot
|
Man getting into the drivers seat of the van and starting the car up.
|
36
|
Wide Shot
|
Man driving the car back round the bend and hear the screeching of
wheels.
|
37
|
Big Close Up
|
Lily’s Teddy bear on the floor fades to black.
|
38
|
-
|
Title Sequence appears on the center of screen.
|
This is my blog for my media coursework! My partner's blog is tedhazellasmedia.blogspot.co.uk
Tuesday 20 November 2012
Shots and Actions
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